SELECTED GROUP EXHIBITIONS |
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| 2021 | Affinities for Abstraction: Women Artists on Eastern Long Island, 1950-2020, Parrish Art Museum, Water Mill, NY, May 2–July 25, 2021. |
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| Affinities for Abstraction: Women Artists on Eastern Long Island, 1950-2020, Parrish Art Museum, Water Mill, NY, May 2–July 25, 2021. |
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| Partially Buried: Land-Based Art in Ohio, 1970-Now, Columbus Museum of Art, Ohio, May 8 – November 28, 2021. |
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| Dream Monuments: Drawing in the 1960s and 1970s, Menil Drawing Institute, May 21 – Sep 19, 2021. | ||
| Rhe: Everything Flows, Galerie Lelong & Co., New York, January 7 – February 13, 2021. | ||
| 2019 | Bound to the Earth: Art, Materiality, and the Natural World, Museum of Contemporary Art San Diego, November 21, 2019 – March 19, 2020. |
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| The Observable Universe: Visualizing the Cosmos in Art, Santa Barbara Museum of Art, September 29, 2019 - February 16, 2020 |
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| Moon Shot, Moody Center for the Arts, Rice University, Houston, September 20 - December 21, 2019. | ||
| Shifting Terrain, San Francisco Museum of Modern Art, fall 2019. | ||
| Another West, Fraenkel Gallery, San Francisco, curated by Richard Misrach, Sept 5 - Oct 19, 2019. | ||
| Apollo’s Muse: The Moon in the Age of Photography. Metropolitan Museum of Art, New York, July 2 – September 22, 2019. |
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| Power & Imagination: Conceptual Art. National Gallery of Australia, Canberra, August 11, 2018 – May 19, 2019. | ||
| By Any Means: Modern and Contemporary Drawings from the Morgan. The Morgan Library and Museum, New York, January 18, 2019 through May 12, 2019. |
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| 2018 | After Babel, part 2 of the trilogy, The Unwritten Library, annexM, Megaron- The Athens Concert Hall, December 5, 2018 - March 10, 2019. |
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| A Body Measured Against the Earth, Museum of Contemporary Art Chicago, August 25, 2018 - April 7, 2019. |
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| Territorios que Importan: Arte, género y ecologia, Centro de Arte y Naturaleza, Funcadión Beulas, Huesca, Spain, October 18 2018 – January 20 2019. |
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| Summer Nocturne: Works on Paper from the 1970s, Santa Barbara Museum of Art, June 10 – September 23, 2018. | ||
| Cosmogonies, au gré des éleménts, Musée d'art Moderne et d'art Contemporain, Nice, France, June 9 – September 16, 2018. |
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| Virginia Woolf: An Exhibtion Inspired by Her Writings, - Tate St. Ives, Cornwall, UK, February 10 - April 29, 2018; - Pallant House Gallery, Chichester, UK, May 26 - September 16, 2018; - The Fitzwilliam Museum, Cambridge, UK, October 2 - December 9, 2018. |
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| Paper—>Pulp Transformation, International Print Center New York, April 5 through June 14, 2018. | ||
| 2017 | Viva Arte Viva!, 57th Venice Biennale, May 13 – November 26, 2017 | |
| Why Draw?: 500 Years of Drawings and Watercolors at Bowdoin College, Bowdoin College Museum of Art, Brunswick, ME, May 3, 2017 - September 3, 2017 |
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| Gray Matters, Wexner Center for the Arts, Columbus, OH, May 20 – July 30, 2017 | ||
| A Sense of Place, Southampton Arts Center, February 24 – April 9, 2017. | ||
| Earth Muse: Art and the Environment, Heckscher Museum of Art, April 15 - July 30, 2017. | ||
| 2016 | FORTY, Moma PS1, June 19 – August 28, 2016. | |
| A Matter of Memory: Photography as Object in the Digital Age, George Eastman Museum, October 22, 2016 – January 29, 2017. |
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| Revolution in the Making: Abstract Sculpture by Women, 1947-2016, Hauser Wirth & Schimmel, March 13 – September 4, 2016. |
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| Touch the Sky: Art and Astronomy, The Frances Lehman Loeb Art Center, Vassar College, April 29 – August 21, 2016. |
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| Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Levy Gallery, January 27 – March 19, 2016. |
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| 2015 | You Go Girl! Celebrating Women Artists, The Heckscher Museum of Art, December 5 – April 3, 2016. | |
| Land/Sky, Leslie Tonkonow Artworks + Projects, November 21, 2015 – January 30, 2016. | ||
| America is Hard to See, Whitney Museum of American Art, May 1 – September 27, 2015. | ||
| Apparition: Frottages and Rubbings from 1860 to Now, Hammer Museum, February 8 – May 31, 2015. The Menil Collection, September 11, 2015 – January 3, 2016 |
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| Past Futures: Science Fiction, Space Travel, and Postwar Art of the Americas, Bowdoin College Museum of Art, March 5 – June 7, 2015. | ||
| The Triumph of Love: Beth Rudin DeWoody Collects, Norton Museum of Art, February 8 – May 3, 2015. | ||
| Paris Photo Los Angeles, Marc Selwyn Fine Art at Paris Photo LA, Paramount Pictures Studios, April 30 – May 3, 2015. |
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| 2014 | Women and Print, Scripps College, The Ruth Chandler Williamson Gallery, August 30 – October 19, 2014 | |
| Beyond Earth Art, Johnson Museum of Art, Cornell University, January 25 – June 8, 2014 | ||
| Women Choose Women Again, Visual Arts Center of New Jersey, January 17 – April 13, 2014 | ||
| Heavenly Bodies, Santa Barbara Museum of Art, February 23 – May 25, 2014 | ||
| 2013 | New Jersey as Non-Site, Princeton University Art Museum, October 3, 2013 – January 4, 2014 | |
| Life on the Moon, Varios Small Fires, Losa Angeles, November 2-December 7, 2013 | ||
| PATHS: Charting, Navigating & Bridging, Simons Center Art Gallery, Stony Brook University, May 5 – June 24, 2013 | ||
| National Academy Annual Exhibition 2013, The National Academy Museum, January 30 - May 5, 2013 | ||
| The Beacon, Salomon Contemporary, January 10 – February 16, 2013 | ||
| 2012 | Ends of the Earth: Art of the Land to 1974, (traveling), The Museum of Contemporary Art, Los Angeles, May 27-September 3, 2012, Haus der Kunst, October 11, 2012 - January 20, 2013 |
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| Alice in Wonderland, (traveling), Tate Liverpool, November 4, 2011 – January 29, 2012, Museo di arte moderna e contemporanea di Trento e Rovereto, February 25 - June 3, 2012, Hamburger Kunsthalle, June 23 - September 30, 2012 | ||
| Baseball in the Bronx: Nine Innings of Baseball in the Bronx, The Bronx Museum of the Arts, Bronx, NY, April 13-May 13, 2012 | 2011 | The Language of Less (Then and Now), Museum of Contemporary Art, Chicago, IL |
| Plot, Plan, Process: Work on Paper from the 1960s to Now, Leslie Tonkonow Artworks + Projects, New York, NY | ||
| The Best of Both Worlds: Finely Printed Livres d’Artistes, 1910-2010, in Divan-E-Shams published by Vincent Fitzgerald & Company (1996), Grolier Club, New York, NY | ||
| 2010 | Out of the Woods, Leslie Tonkonow Artworks + Projects, curated with James Salomon, New York City | |
| On Line: Drawing Through the Twentieth Century, Museum of Modern Art, organized by Connie Butler, The Robert Lehman Foundation Chief Curator of Drawings, The Museum of Modern Art, and Catherine de Zegher, former director, The Drawing Center, New York City | ||
| 2009 | Soft Sculpture, National Gallery of Australia, Canberra, Australia | |
| Mixed Greens, The Parrish Art Museum, Southampton, NY | ||
| L’exposition des Collections, Musee d’art de Toulon, France | ||
| Rare Editions: The Book as Art, Lehman College Art Gallery, Bronx, NY | ||
| The Light of the Sufi’s, The Brooklyn Museum, New York City | ||
| 184th Annual: An Exhibit of Contemporary American Art, National Academy Museum, New York City | ||
| 2008 | Decoys, Complexes and Triggers: Feminism and Land Art in the 1970’s, Sculpture Center, LI, NY | |
| Metamorphosis, Abington Art Center, Jenkintown, PA | ||
| Sense of Space, Jeanie Tengelson Gallery, Art League, LI, NY | ||
| 2007 | Eyes on the Natural World, The Drawing Room, East Hampton, NY | |
| Rumi’s Works in Modern Editions, Houghton, Harvard University, Cambridge, MA | ||
| 2006 | Drawn into the World, Museum of Contemporary Art, Chicago, curator, Lynne Warren | |
| La Collection en Trois Temps Quatre Actes, Musee d’art Contemporain, Marseille, France* | ||
| Grafica Americana, Sala de Exposiciones, Cordoba: AYN Centro de Arte, Madrid, Spain | ||
| Peace Tower, Whitney Museum Biennial, NY | ||
| Guild Hall Collects Gifts in Honor of the 75th Anniversary, Guild Hall Museum, East Hampton, NY | ||
| 2005 | Disegno, National Academy, New York* | |
| Affinities, The Drawing Room, East Hampton, NY | ||
| 2004 | Recent Acquisitions: Framing the Collection, The Parrish Art Museum, Southampton, NY | |
| North Fork/ South Fork: East End Art Now, The Parrish Art Museum, Southampton, NY * | ||
| Works from the Collection, National Collection of Australia, Canberra, Australia | ||
| New Prints/2004 Spring, Selected by Barry Walker, International Print Center New York, New York City | ||
| 2003 | Fine Lines, from the collection of Wynn Kramarsky, Santa Barbara Contemporary Arts Forum, CA | |
| Challenging Tradition: Women of the Academy, 1826-2003, National Academy Museum, NY | ||
| 2002 | Conversations, Museum of Contemporary Art, Los Angeles, CA | |
| Berliner Kunstprojekt, Unforgettable, Berlin, Germany | ||
| 2001 | Rags to Riches 25 Years of Paper Art, Dieu Donne Papermill, Kresge Art Museum, Traveling* | |
| Marking Time/Making Memory, Miami University Art Museum, Oxford, OH* | ||
| No!art and the Aesthetics of Doom, Block Museum of Art, Northwestern U., Evanston, IL * traveling | ||
| 2000 | Open Ends, Contemporary Art from 1960 to Now, The Museum of Modern Art, NY | |
| Abundant Invention, Wavehill, Bronx, NY* | ||
| Botanica, Contemporary Art & the World of Plants, Chicago Cultural Center, IL* | ||
| Afterimage: Drawing Through Process, Contemporary Art Museum, Houston, TX* | ||
| Beyond the Mountains: The Contemporary American Landscape, Boise Art Museum, ID. traveling* | ||
| American Academy Invitational, Painting & Sculpture, American Academy of Arts & Letters, NY | ||
| 1999 | Afterimage: Drawing Through Process, The Museum of Contemporary Art, Los Angeles, CA* | |
| Afterimage: Film + Video Program, The Museum of Contemporary Art., Los Angeles, CA | ||
| Drawn Across the Century: Highlights from the Dillard Collection of Art on Paper, Weatherspoon Art Gallery, The University of North Carolina at Greensboro, NC* |
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| Souvenirs: Collecting, Memory, and Material Culture, Guild Hall Museum, East Hampton, NY | ||
| Waxing Poetic: Encaustic Art in America, The Montclair Art Museum, NJ; Knoxville Museum of Art, KY* | ||
| A Century for the Century: Fine Printed Books 1900-1999, Grolier Club, NY | ||
| Botanica, Tweed Museum of Art, Duluth, MN* | ||
| Surroundings: Responses to the American Landscape; San Jose Museum of Art, CA (a collaboration with works from the Whitney Museum) |
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| Book As Art XI, The National Museum of Women in the Arts, Washington, DC* | ||
| Radford Art Museum, Selections from the Permanent Collection, Radford, Virginia* | ||
| 1998 | Dreams for the Next Century: A View of the Collection, The Parrish Art Museum, Southampton, NY | |
| Where: Allegories of Site in Contemporary Art, Whitney Museum of American Art at Champion, Stamford, CT | ||
| New Nature: Recent Acquisitions of Works on paper; Allentown Art Museum, PA | ||
| Recent Publications by Diane Villani Editions, Quartet Editions, NY | ||
| Matched Pairs: Sculptures and Drawings, The John Weber Gallery, NY | ||
| 1997 | On the Edge: Contemporary Art from the Werner and Elaine Dannheiser Collection, MoMA, NY* | |
| Land Marks, John Weber Gallery, NY | ||
| Neuberger Museum of Art Biennial of Public Art, Neuberger Museum of Art, Purchase, NY* | ||
| The 172nd Annual Exhibition, The National Academy Museum, NY | ||
| 1996 | More Than Minimal: Feminism and Abstraction in the ‘70s, Rose Art Museum, Brandeis University, Waltham, MA* | |
| Under Glass, Charles Cowles Gallery, Inc. NY; Sarah Moody Gallery of Art, The University of Alabama, Tuscaloosa | ||
| 1995 | Sniper’s Nest: Art That Has Lived With Lucy R. Lippard, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY* Travel, Gallery of Cont. Art, Univ. Colorado, Colorado Springs, CO* |
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| NO! art, Neue Gesellschaft fur bildende Kunst e.V., Berlin* | ||
| Printmaking in America: Collaborative Prints and Presses 1960-1990, traveling, including, Museum of Fine Arts Houston; Northwestern U. Evanston, Ill.; Zimmerli Mus. NJ; National Mus. Amer. Art, Smithsonian, Washington DC* | ||
| Framing the Future, Recent Acquisitions, The Montclair Museum, Montclair, NJ | ||
| Monumental Propaganda, ICI, Smithsonian Institution, Washington DC, and American Academy in Rome* | ||
| Printmakers Workshop Collection, The Cleveland Institute of Art, OH | ||
| 1994 | L’Art Americain dans les Collections Publiques Francaises de Province1960-1992, Musee de Toulon, France* | |
| American Pavilion, Cairo Biennial, Cairo, Egypt(traveling , 1994-1997)* | ||
| Inspired by Nature, Neuberger Museum of Art, Purchase, NY | ||
| 1993 | US Pavilion, Taejon International Exposition, Seoul, Korea* | |
| The Return of the Cadavre Exquis, The Drawing Center, New York City | ||
| Transformed Realities, Virginia Museum of Fine Arts, Richmond, VA | ||
| Women Artists’ Books 1969-1979, Printed Matter/Dia Center for the Arts, New York City | ||
| 1992 | Painting, Self Evident: Abstraction 1992, Gibbes Museum of Art, Charleston, S.C.* | |
| Breakdown! Rose Art Museum, Waltham, MA* | ||
| The Language of Flowers, Paul Kasmin Gallery, NY | ||
| Intimate and Intense: Small Fiber Structures, The Minneapolis Institute of Arts, MN* | ||
| Form + Farbe, Galerie Marie-Louise Wirth, Zurich, Switzerland | ||
| 1991 | Departures: Photography 1923-1990, Independent Curators International, curated by Edmund Yankov (traveling)* | |
| Sticks & Stones: Ten Artists Work With Nature, Katonah Museum, Katonah, NY* | ||
| A Bestiary, Paula Cooper Gallery, NYC | ||
| Presswork, The Art of Women Printmakers, The National Museum of Women in the Arts, Washington, DC | ||
| 43rd Annual Purchase Exhibition, American Academy & Institute of Arts and Letters NYC | ||
| 1990 | Diane Villani Editions Lorence. Monk Gallery, NYC | |
| Transparent Thread: Asian Philosophy in American Art 1955-1985, Hofstra University Museum, Hempstead, NY (traveling)* | ||
| The Experience of the Landscape: Three Decades of Sculpture, Whitney Museum of American Art Downtown, New York City* | ||
| Terra Incognita: Contemporary Landscape Painting, Museum of Art, RISD, Providence, RI* | ||
| Botanica: The Secret Life of Plants, Lehman College of Art Gallery, Bronx, New York | ||
| 11th British International Print Biennale, Bradford Museum, Bradford, England* | ||
| The (Un) Making of Nature, Whitney Museum of American Art Downtown at Federal Plaza, New York and Whitney Museum of American Art at Phillip Morris, CT* | ||
| A Natural Order, The Hudson River Museum, Yonkers, NY* | ||
| Revered EARTH, Contemporary Arts Museum, Houston, TX* (travel) | ||
| The Transparent Thread, Edith C. Blum Art Gallery, Bard College, Annandale-on- Hudson, NY* | ||
| 1989 | Terra Firma: Land and Landscape in Art of the 1980's, Wallach Art Gallery, Columbia University, New York City* | |
| Portfolios and Projects: The 25th National Print Biennial, The Brooklyn Museum of Art, NY* | ||
| Sounding Depths: 150 Years of American Seascape, The American Federation of Arts, New York City, Milwaukee, WI; Art Museum of South Texas, Corpus Christi, TX; Orlando Museum of Art, Orlando, Fl; Museum of Art, Science and Industry, Inc, Bridgeport, CT; Butler Institute of American Art, Youngstown, OH; Honolulu Academy of Art, HA* | ||
| First Impressions, Walker Art Center, Minneapolis, MN; (Traveling): Laguna Gloria Art Museum, Austin, TX; Baltimore Art Museum, Baltimore, MD; Neuberger Museum, State University of New York at Purchase, Purchase, NY* | ||
| Making Their Mark, Cincinnati Art Museum, Cincinnati, OH; traveling: New Orleans Museum of Art, New Orleans, LA; Denver Art Museum, Denver, CO; Pennsylvania Academy of Fine Art, Philadelphia, PA | ||
| 1988 | Earthly Delights: Garden Imagery in Contemporary Art, Fort Wayne Museum of Art, IN* | |
| New Art on Paper, Philadelphia Museum of Art, Philadelphia, PA* | ||
| Elemental Visions/Personal Landscapes, Art Museum of South Texas, Corpus Christi, TX | ||
| Paperthick: Forms and Images in Cast Paper, Erie Art Museum, Erie, PA; Art Museum of Santa Cruz, CA* | ||
| 1987 | Sacred Spaces, Everson Museum of Art, Syracuse, NY* | |
| Standing Ground: Sculpture by American Women, The Contemporary Art Center, Cincinnati, OH* | ||
| The Tree Show: The Tree as Metaphor in Contemporary Art, Massachusetts College of Art, Boston, MA,* | ||
| The Eloquent Object, Philbrook Art Center, Tulsa, OK: (traveling) Museum of Fine Arts, Boston, MA; Oakland Museum, Oakland, CA; Chicago Cultural Center, Chicago, IL; Loch Haven Art Center, Orlando, FL; Virginia Museum of Fine Arts, Richmond, VA. | ||
| 1986 | Second Sight: Biennial IV, San Francisco Museum of Modern Art, San Francisco, CA* | |
| Contemporary Primitivism, Art Gallery, University of Colorado, Colorado Springs, CO | ||
| Paper Now: Bent, Folded and Manipulated, Cleveland Museum of Art, OH* | ||
| 38th Annual Purchase Exhibition, American Institute of Arts & Letters, NY | ||
| 1985 | The Maximal Implications of the Minimal Line, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY* | |
| Contemporary American Prints: Recent Acquisitions, The Brooklyn Museum, NY | ||
| Livres D'Artistes, Centre Georges Pompidou, Bibliotheque Publique d'Information, Paris | ||
| New American Paperworks, The Chicago Public Library, Minnesota Museum of Art, St. Paul, MN* | ||
| Nyforvarv 1980-1985 Acquisitions, Moderna Museet, Stockholm | ||
| Tamarind: 25 Years 1960-1985, University of New Mexico Art Museum, Albuquerque* | ||
| Art on Paper 1985, Weatherspoon Art Gallery, University of North Carolina, Greensboro | ||
| 1984 | Primitivism in 20th Century Art: Affinities of the Tribal and the Modern, Museum of Modern Art, New York City | |
| Land Marks: New Site Proposals by 22 Original Pioneers of Environmental Art, Edith C. Blum Institute, Bard College, NY; Cranbrook Academy Museum of Art, Detroit, MI* | ||
| Inaugural Exhibition: Permanent Collection, The Australian National Museum, Canberra* | ||
| American Women Artists, Part 2 ,The Recent Generation, Sidney Janis Gallery, NYC* | ||
| Acquisitions, Herbert F. Johnson Museum, Cornell University, Ithaca, NY | ||
| Reflections: New Conceptions of Nature, Hillwood Art Center, LI University, NY* | ||
| 10 Years of Collecting, Museum of Contemporary Art, Chicago * | ||
| Large Drawings, Zilkha Gallery, Wesleyan University, Middletown, CT* | ||
| 1983 | ARS 83, Art Museum of the Ateneum, Helsinki, Finland* | |
| New Acquisitions, Albright-Knox Art Gallery, Buffalo, NY | ||
| Paper as Image, Arts Council of Great Britain, London, England, (traveling) | ||
| Adamah La Terre, Centre d'Exchanges de Perrache, ELAC-Lyon, France* | ||
| New American Paperwork, National Museum of Modern Art, Kyoto, Japan; Fine Arts Center of Korean Art, Seoul; Hong Kong Museum of Art; Metropolitan Museum of Art, Manila, Philippines; National Museum of Art, Republic of Singapore* (traveling) |
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| Made in Omaha, Joslyn Art Museum, Omaha, NE | ||
| Made on Paper 1983, Weatherspoon Art Gallery, University of NC, Greensboro* | ||
| New York Linkoping, Ostergot, Lansmuseum, Ostergota, Sweden* | ||
| 1982 | Sans-Titre-4 Annes d'Acquisition, Musee de Toulon, Toulon, France* | |
| Post Minimalism, Aldrich Museum of Contemporary Art, Ridgefield, CT* | ||
| New Acquisitions 1981-1982, Haags Gemeentemuseum, The Hague, Netherlands* | ||
| Making Paper: The Handmade Paper Book, American Craft Museum, New York City * | ||
| The New American Paperworks, Birmingham Museum of Art, Birmingham, AL: Blaffer Gallery, University of Houston, TX,* (traveling) | ||
| New Directions, Contemporary American Art from the Commodities Corporation Collection*, traveling: Museum of Art, Fort Lauderdale, Fl; Oklahoma Museum of Art; Santa Barbara Museum of Art; Grand Rapids Art Museum MI: Madison Art Center, WI; Montgomery Museum of Fine Arts, AL. | ||
| 1981 | The Australian National Gallery at The Australian National University, Canberra | |
| New Dimensions in Drawing, 1950-1980, Aldrich Museum, Ridgefield, CT* | ||
| Kunst Heute Acquisitions, Hamburger Kunsthalle, Hamburg | ||
| Directions 1981, Hirshhorn Museum and Sculpture Garden, Washington D.C.* | ||
| General Mills Art Collection, Lochhaven Art Center, Orlando, Florida* | ||
| Bookworks: New Approaches to Artists Books, (Organized by Franklin Furnace, NY), Art Museum, Albuquerque, NM; Art Center, Waco, TX; Eaton Schoen Gallery, S.F. CA; Utah Museum, Salt Lake City, UT; University of Arizona, Tucson, AR (traveling) | ||
| Peintures/Sculptures Americaines, Hotel de Ville, Venissieux, France* | ||
| New Acquisitions, Museum of Contemporary Art, Chicago | ||
| La Moderna Museet de Stockholm A Bruxelles, Palais de Beaux Arts, Brussels, Belgium | ||
| Artists Books, Walker Art Center, Minneapolis, MN | ||
| With Paper/About Paper, Albright/Knox Art Gallery, Buffalo, Museum of Fine Arts Springfield, MA* | ||
| Words As Images, University of Illinois, Renaissance Society, Chicago * | ||
| Transitions II: Landscape/ Sculpture, Amelie Wallace Gallery, SUNY Old Westbury, NY* | ||
| Re: Pages, An Exhibition of Contemporary American Bookworks, New England Foundation for the Arts, Boston, MA* | ||
| Mapped Art : Charts, Routes, Regions University of Colorado, Boulder, Co | ||
| 1980 | Originals, Graham Gallery, New York City * | |
| Selections from the Collection of Brutten and Herrick, William Patterson College, Newark, NJ * | ||
| Paper As Medium, Univ. of Georgia, Athens; Honolulu Academy, HI; Traveling | ||
| Artists in the American Desert, Sierra Nevada Museum of Art, Reno, NV | ||
| 1979 | Paper As Medium, Tyler Museum, Tyler, TX* traveling extensively | |
| The Great Big Drawings Show, Inst. for Art & Urban Resources, P.S. Museum, NY | ||
| Visual and Sculptural Bookworks, Montclair Art Museum, NJ | ||
| New York Now, Phoenix Art Museum, AZ | ||
| The Presence of Nature 1978-79, Whitney Museum of American Art Downtown, New York City | ||
| 1978 | ISBN:0.000.0 LCCN; 788-0000, Franklin Furnace, New York City | |
| Artists Books, USA, Independent Curators, Inc. New York, traveling | ||
| Drawing Explorations 1930-1978, Janus Gallery, Los Angeles | ||
| The Book of the Art of the Artists Book, Teheran Museum, Iran* | ||
| Art on Paper, 1978, Weatherspoon Gallery, Univ. of North Carolina, Greensboro* | ||
| Book Forms, Dayton Art Institute, Dayton, OH* | ||
| Iran-Nature-12 Americans, Iran -American Society, Teheran, Iran* | ||
| 1977 | Drawings of the Seventies, Art Institute of Chicago * | |
| Documenta 6, Kassel, Germany** | ||
| Primitivism, Walters Hall Gallery, Douglas College, Rutgers, NJ | ||
| The Book as Art, Fendrick Gallery, Washington DC* | ||
| Art 8'77 Basle Kunstmesse, (individual) Basle, Switzerland | ||
| Painting 1975-77, Sarah Lawrence College, Bronxville, NY; American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH* | ||
| Artists' Bookworks, Museum of Modern Art, New York City | ||
| Collection in Progress: Brutten, Moore College of Art, Philadelphia, PA* | ||
| Contemporary Women: Consciousness & Content, Brooklyn Museum, NY | ||
| Maps, Museum of Modern Art, New York City | ||
| 3-D Paper Systems, Optica Gallery, Montreal, Canada | ||
| 1975 - 1977 | The Power Gallery of Contemporary Art Acquisitions, Museum of Contemporary Art, Sydney, Australia* | |
| Small Objects, Whitney Museum of American Art Downtown, New York City | ||
| New Ways With Paper, National Collection of Fine Arts, Renwick, Smithsonian Institution, Washington, DC* | ||
| Artists' Books, Mandeville Art Gallery, University of California, San Diego, CA | ||
| Installation & Print Projects by Visiting Artists, Wright State University, Dayton, OH | ||
| The Handmade Paper Object, Oakland Art Museum, CA; Institute of Contemporary Art, Boston, MA; Jacksonville Museum of Art, FL; Herbert F. Johnson Museum, Ithaca, NY* | ||
| Strata: Graves, Hesse, Stuart, Winsor, Vancouver Art Gallery, Vancouver, BC, Canada* | ||
| 1976 | Handmade Paper, Museum of Modern Art, New York City | |
| Private Notations: Artists' Sketchbooks II, Philadelphia College of Art, Philadelphia * | ||
| Handmade Paper Objects, Santa Barbara Museum of Art, Santa Barbara * | ||
| Drawing Now: Ten Artists, Soho Center for the Visual Arts, New York City * | ||
| 1975 | New York Abstractionists, John Doyle Gallery, Chicago | |
| Young Americans, Galerie Alexandra Monett, Brussels, Belgium | ||
| Artpark Art, Hallwalls Contemporary Arts Center, Buffalo, NY | ||
| Collectors of the Seventies Part III: Milton & Helen Brutten, Institute for Art & Urban Resources, The Clocktower, New York City |
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| Report from Soho, Grey Art Gallery, New York University, New York City | ||
| Acquisitions 1973-1975, Power Inst. of Contemporary Art, Sydney, Australia* | ||
| New York Award Winning Painters, Rockefeller Gallery, SUNY, Fredonia, NY* | ||
| Abstraction Alive and Well, Fine Art Center Gallery, SUNY Pottsdam, NY* | ||
| 1974 | Paperworks, Penthouse, Museum of Modern Art, New York City | |
| Four Americans, John Doyle Gallery, Paris | ||
| Paperworks, Rosa Esman Gallery, New York City | ||
| Painting and Sculpture Today, Indianapolis Institute of Art, Indianapolis, IN; Taft Museum, Cincinnati, OH* | ||
| 1973 | Contemporary Reflections, Aldrich Museum, Ridgefield, CT* | |
| Women Choose Women, New York Cultural Center, New York City * | ||
| Ten Artists, Michael C. Rockefeller Gallery, SUNY Fredonia, NY* | ||
| Contemporary Artists, Wellesley College Museum, Wellesley, MA | ||
| 1972 | Ten Artists, The Kenan Center, Lockport, NY* | |
| Outsize Drawings, Loeb Art Center, New York University, New York City | ||