SELECTED BIBLIOGRAPHY
- SELECTED BOOKS & CATALOGUE |
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2010's | Morrill, Rebecca. introductory essay. Great Women Artists. London: Phaidon, 2019. |
| Tufnell, Ben. In Land: Writings Around Land Art and Its Legacies. London: Zero Books, 2019. | ||
| Fineman, Mia and Beth Saunders. Apollo’s Muse: The Moon in the Age of Photography. exhibition catalogue. New York: The Metropolitan Museum of Art, 2019. |
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| Beitin, Andreas and Eckhart J. Gillen, eds. Flashes of the Future: The Art of the ’68ers or The Power of the Powerless. exhibition catalogue. Bundeszentrale für politische Bildung: Roggentin, 2019. | ||
| Schwabsky, Barry, introduction. Michelle Stuart: Flight of Time. exhibition catalogue with foreword by Mary Sabbatino. Galerie Lelong & Co.: New York, 2019. | ||
| Avril, Ellen, et. al. A Handbook of the Collections: Herbert F. Johnson Museum of Art, Cornell University. Ithica: Herbert F. Johnson Museum of Art, Cornell University, 2018. |
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| Delahunty, Gavin. The Hummingbird. exhibition catalogue from the collection of Marguerite Steed Hoffman, 2018. | ||
| Smith, Laura and Enrico Tassi, eds. Virginia Woolf: an exhibiton inspired by her writings. exhibition catalogue. Tate and Musumeci S.p.A, 2018. illus, pg 67. |
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| Homann, Joachim, ed. Why Draw?: 500 Years of Drawings and Watercolors at Bowdoin College, DelMonico Books and Prestel: New York, pgs. 140, 182. |
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| Hostetler, Lisa. A Matter of Memory: Photography as Object in the Digital Age. Exhibition catalogue. Rochester, NY: George Eastman Museum, 2016. |
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| Ganz, Kate, ed. Drawing Then: Innovation and Influence in American Drawings of the Sixties. Exhibition catalogue. New York: Dominique Lévy, 2016. |
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| Schimmel, Paul, Jenni Sorkin, Anne Wagner, et. al. Revolution in the Making: Abstract Sculpture by Women 1947-2016. Milan: Skira, 2016. |
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| Volk, Gregory. Michelle Stuart, Theatre of Memory: Photographic Works. Exhibition catalogue. New York: Dadadog Press with The Bronx Museum of the Arts, 2016. |
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| Pesenti, Allegra, et. al. Apparitions: Frottages and Rubbings from 1860 to Now. Exhibition catalogue. Houston: The Menil Collection; Los Angeles: The Hammer Museum, 2015. |
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| Michelle Stuart: Topographies, Works on Paper 1968-2015, exhibition catalogue. Los Angeles: Marc Selwyn Fine Art, 2015. |
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| Michelle Stuart: Trace Memory, exhibition catalogue. London: Parafin, 2015. | ||
| Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. New Haven: Yale University Press, 2015, p. 373. |
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| Montross, Sarah, et al. Past Futures: Science Fiction, Space Travel, and Postwar Art of the Americas, exhibition catalogue. Brunswick, Maine: Bowdoin College Museum of Art, 2015. | ||
| Birmingham, Mary and Katherine Murdock. Women Choose Women Again, exhibition catalogue. Visual Arts Center of New Jersey, 2014. |
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| Lippard, Lucy. Undermining: A Wild Ride in Words and Images through Land Use Politics in the Changing West. New York: The New Press, 2014. |
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| Lippard, Lucy. “A Woman’s Place: Sandra Menefee Taylor.” Heart/Land: Sandra Menefee Taylor’s Vital Matters. Fargo, ND: PlainsArt Museum, 2014, pp. 25-29. | ||
| MacNaughton, Mary Davis. Women and Print: A Contemporary View. Claremont, CA: Ruth Chandler Williamson Gallery, Scripps College, 2014. | ||
| Michelle Stuart:The Radical Redefinition of Drawing 1969-1979, exhibition catalogue. New York: Leslie Tonkonow Artworks + Projects, 2014. |
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| Sinsheimer, Karen. Heavenly Bodies. Santa Barbara: Nazraeli Press in association with Santa Barbara Museum of Art, 2014. | ||
| Baum, Kelly. New Jersey as Non-Site, exhibition catalogue. Princeton University Art Museum, 2013. | ||
| Lovatt, Anna, ed. Michelle Stuart: Drawn From Nature. Ostfildern, Germany: Hatje Cantz Verlag, 2013. | ||
| Michelle Stuart: Palimpsests, exhibition catalogue. New York: Leslie Tonkonow Artworks + Projects, 2012. | ||
| Darling, Michael. The Language of Less (Then and Now), exhibition catalogue. Chicago: Museum of Contemporary Art, Chicago, 2011. | ||
| Delahunty, Gavin and Christoph Schulz, eds. Alice in Wonderland: Through the Visual Arts, exhibition catalogue. Liverpool: Tate Publishing, 2011. | ||
| 2000's | Bright, Betty. No Longer Innocent: Book Art in America 1960-1980. New York: Granary Books, 2005. | |
| Casey, Edward S. “Plotting and Charting the Path: Voyaging to the Ends of the Earth with Michelle Stuart.” In Earth Mapping: Artists Reshaping Landscape [PP 57-89]. Minneapolis: University of Minnesota Press, 2005. | ||
| Fairbrother, Trevor. On Paper: Masterworks from the Addison Collection (foreword by Adam D. Weinberg). Andover, MA: Addison Gallery of American Art, Phillips Academy, 2004. |
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| Longwell, Alicia G. North Fork/South Fork, East End Art Now, exhibition catalogue. Southampton,NY The Parrish Art Museum, 2004. |
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| National Academy of Design, 178th Annual Exhibition, exhibition catalogue. New York: National Academy of Design, 2003. Also, Designo, exhibition catalogue, 2005. | ||
| Casey, Edward S. Representing Place: Landscape Painting and Maps. Minnesota: University of Minnesota Press, 2002. | ||
| Dowley, Jennifer, and Nancy Princenthal. A Creative Legacy: A History of the National Endowment for the Arts Visual Artists' Fellowship Program, with introduction by Bill Ivey. New York: Harry N. Abrams in association with the National Endowment for the Arts, 2001. | ||
| Stein, Donna. Rags to Riches: 25 years of Paper from Dieu Donne Papermill. Ed. Mina Takahashi. New York: Dieu Donne Papermill, 2001. | ||
| 1990's | Butler, Cornelia H. Afterimage: Drawing Through Process, exhibition catalogue. Los Angeles: The Museum of Contemporary Art in association with the MIT Press, 1999. | |
| Brody, Jacqueline. Neuberger Museum of Art 1997 Biennial Exhibition of Public Art, exhibition catalogue. New York: SUNY Purchase, 1997. | ||
| Storr, Robert. On the Edge: Contemporary Art from the Werner and Elaine Dannheiser Collection, exhibition catalogue. New York: The Museum of Modern Art, 1997. | ||
| Foreman, Richard. “Perfumes of Extinction: Michelle Stuart.” In Michelle Stuart: Natural Histories, exhibition catalogue. Santa Fe, NM: Bellas Artes, 1996. | ||
| Michelle Stuart: Natural Histories, exhibition catalogue. Santa Fe, NM: Bellas Artes, 1996. | ||
| Stoops, Susan L. More Than Minimal: Feminism and Abstraction in the 1970s, exhibition catalogue. Rose Art Museum, Brandeis University, Waltham, MA, April/June 1996. Contributions by Whitney Chadwick, Kate Linker, Lucy Lippard, Ann M. Wagner. | ||
| Memoirs of the American Academy in Rome, Volume 40, catalogue representing work of fellows and residents. Rome: American Academy in Rome, 1995. | ||
| Cullen, Deborah. Strategies of Narration: Fifth International Cairo Biennale, exhibition catalogue. Cairo: Arts in America, US Information Agency, 1994. |
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| Michelle Stuart: The Elements 1973-1979, exhibition catalogue. New York: Fawbush Gallery, 1992. | ||
| Brody, Jacqueline. Lineas De Vision, exhibition catalogue in Spanish, Latin American tour, 1990-91. | ||
| Chadwick, Whitney. “Gender, Race and Modernism after the Second World War.” In Women, Art and Society, 316-354. New York: Thames and Hudson, 1990. | ||
| Finch, Elizabeth. The (Un) Making of Nature, exhibition catalogue. New York: The Whitney Museum of American Art, 1990. | ||
| Revered Earth, exhibition catalogue, with essays by Dominique Mazeaud, Melinda Wortz. New York: Pratt Institute; and Santa Fe, NM: Center for Contemporary Arts, 1990. | ||
| Rosenfeld, Daniel. Terra Incognita: New Directions in American Landscape, exhibition catalogue. Museum of Art, Rhode Island School of Design, 1990. |
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| Rubenstein, Charlotte S. American Women Sculptors: A History of Women Working in Three Dimensions. Boston: G.K. Hall & Company, 1990. |
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| 1980's | Michelle Stuart: Small Sculptures, exhibition catalogue (essays by Thalia Gouma-Peterson, Karl E. Willers; catalogue design by Kathleen McManus Zurko). Wooster, OH: College of Wooster Art Museum; Kent, OH: Kent State University School of Art Gallery, 1989. | |
| Walker, Barry T. Projects & Portfolios: The 25th National Print Exhibition, exhibition catalogue. Brooklyn, NY: The Brooklyn Museum, 1989. | ||
| Willers, Karl Emil. The Experience of Landscape: Three Decades of American Sculpture. New York: Whitney Museum of American Art, 1989. | ||
| Beckett, Wendy. Contemporary Women Artists. Oxford: Phaidon Press Ltd., 1988. | ||
| Collischan, Dr. Judith. Michelle Stuart: Voyages, exhibition catalogue. Greenvale, NY: Hillwood Art Gallery, Long Island University, 1985. | ||
| Michelle Stuart: Ashes in Arcadia, exhibition catalogue. Waltham, MA: Rose Art Museum, Brandeis Uninversty, 1988. | ||
| Michelle Stuart, exhibition catalogue. Hartford, CT: Wadsworth Atheneum, 1988. | ||
| Michelle Stuart: Silent Gardens, the American Landscape, exhibition catalogue. Waltham, MA: Rose Art Museum, Brandeis University, 1988. | ||
| Miller-Keller, Andrea. Michelle Stuart/ Matrix 102, exhibition catalogue. Hartford, CT: Wadsworth Atheneum, 1988. (Matrix: A Changing Exhibition of Contemporary Art.) |
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| Rosen, Randy and Catherine C. Brawer. Making Their Mark: Women Artists Move into the Mainstream 1970-1985, exhibition catalogue. Cincinnati Art Museum. New York: Abbeville Press, 1988. | ||
| Stoops, Susan L. Michelle Stuart, Ashes in Arcadia. Environmental room installation in conjunction with exhibit, brochure separate from catalogue, 1988. | ||
| Stoops, Susan L. Michelle Stuart, Silent Gardens: The American Landscape, exhibition catalogue. Waltham, MA: Rose Art Museum, Brandeis University, Waltham, 1988. | ||
| Duvert, Elizabeth. “With Stone, Star and Earth: The Presence of the Archaic in the Landscape Visions of Georgia O'Keefe, Nancy Holt, and Michelle Stuart.” In The Desert Is No Lady. Eds. Vera Norwood and Janice Monk, 216-222. New Haven: Yale University Press, 1987. | ||
| Lippard, Lucy. The Eloquent Object, exhibition catalogue. Eds. Marcia and Tom Manhart, 217-218. Tulsa, OK: The Philbrook Museum of Art, 1987. | ||
| Michelle Stuart: Recent Paintings, exhibition catalogue. Tokyo: Gallery Ueda, 1987. | ||
| Beal, Graham W. J. Second Sight Biennial IV, exhibition catalogue. San Francisco: Museum of Modern Art, 1986. | ||
| Kotik ,Charlotta. “Paradise in the Grand Lobby.” The Brooklyn Museum Bulletin, April 1986. | ||
| Michelle Stuart: Essence of Place—Paintings, Objects, and Drawings from the Earth, exhibition catalogue. Chicago: Arts Club of Chicago, 1986. | ||
| Westfall, Stephen. Nancy Holt/Michelle Stuart: Alaskan Impressions, Environment as Window, exhibition catalogue. Anchorage: Visual Arts Center of Alaska, 1986. | ||
| Westfall, Stephen. Sky Art: Alaska, exhibition catalogue. Cambridge, MA: Visual Arts Center of Alaska with Center for Advanced Visual Studies, MIT, 1986. | ||
| Michelle Stuart: Voyages, exhibition catalogue (essays by Lawrence Alloway, Judy Collischan Van Wagner). Long Island, NY: Hillwood Art Gallery, School of the Arts, Long Island University, C.W. Post Campus, 1985. | ||
| Weintraub, Linda. The Maximal Implications of the Minimal Line, exhibition catalogue. Annandale-on-Hudson, NY: Edith C. Blum Art Institute, Milton and Sally Avery Center for the Arts, Bard College Center, 1985. | ||
| Arrouye, Jean. L’Art Americaine: Dans les Collections Publiques Francaises de Province 1960-1992. Toulon: Musee de Toulon, France, 1984. | ||
| Michelle Stuart, exhibition catalogue. Helsinki: Galleria Exit Kristamikkola, 1984. | ||
| The Museum of Contemporary Art, Chicago. Selections from the Permanent Collection, Volume I. Chicago: The Museum of Contemporary Art, 1984. | ||
| Robins, Corinne. The Pluralist Era: American Art 1968-1981. New York: Harper and Row, 1984. | ||
| Stein, Donna. “Michelle Stuart's Magical Mystery Garden.” In Re-Dact: An Anthology of Art Criticism. Ed. Peter Frank, 173-179. New York: Willis, Locker & Owens, 1984. |
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| Ueda, Akira. Michelle Stuart, exhibition catalogue (insert essay by Yusuke Nakahara). Tokyo: Gallery Ueda Warehouse, April 1984. | ||
| Varnedoe, Kirk. Primitivism in 20th Century Art: Affinity of the Tribal and the Modern, exhibition catalogue. New York: Museum of Modern Art, 1984. | ||
| Beal, Graham W. J. Michelle Stuart: Place and Time, exhibition catalogue. Minneapolis: Walker Art Center, 1983. | ||
| Lippard, Lucy. Overlay: Contemporary Art and the Art of Pre-History. New York: Pantheon Books, 1983. | ||
| Michelle Stuart, exhibition catalogue. Den Haag: Haags Gemeentemuseum, 1983. | ||
| Farmer, Jane M. New American Paperworks, exhibition catalogue. San Francisco: The World Print Council, 1982. (Also published in Japanese and Chinese, traveling exhibit.) |
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| Day, Holliday T. I-80 Series: Michelle Stuart, exhibition catalogue. Omaha: Joslyn Art Museum, June 1981. | ||
| McClintic, Miranda. Directions 1981: Hirshhorn Museum & Sculpture Garden. Washington, DC: Smithsonian Institute Press, 1981. | ||
| Senie, Harriet. Landscape/Sculpture, exhibition catalogue. New York: Amelie Wallace Gallery, State University of New York – Old Westbury, 1981. | ||
| 1970's | Kent, Sarah. Michelle Stuart, exhibition catalogue. London: Institute of Contemporary Arts, 1979. | |
| Lippard, Lucy R. “Fossils for Michelle Stuart.” Introduction to Michelle Stuart’s From the Silent Garden. Williamstown, MA: Williams College, 1979. | ||
| Munro, Eleanor. Originals: American Women Artists. New York: Simon and Schuster, 1979. New York: Da Capo Press, 2000. |
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| Dittmar, Rolf. The Book of the Art of Artists Books, exhibition catalogue. Tehran, Iran: Tehran Museum of Contemporary Art, 1978 | ||
| Michelle Stuart, exhibition catalogue. Bordeaux : Centre d'Arts Plastiques Contemporains de Bordeaux, 1978. | ||
| Hobbs, Robert. Michelle Stuart, exhibition catalogue. Cambridge: Massachusetts Institute of Technology, 1977. | ||
| Lippard, Lucy R. Strata: Graves, Hesse, Stuart, Winsor, exhibition catalogue. British Colombia, Canada: Vancouver Art Gallery, 1977. | ||
| Michelle Stuart, exhibition catalogue. Cambridge, MA: Hayden Gallery, Massachusetts Institute of Technology, 1977. | ||
| Rooms P.S. I, exhibition catalogue. New York: The Institute for Art and Urban Resources Inc., 1977. | ||
| STRATA: Nancy Graves, Eva Hesse, Michelle Stuart ., Jackie Winsor, exhibition catalogue. Vancouver, Canada: Vancouver Art Gallery with Lucy Lippard, 1977.. | ||
| Lippard, Lucy R. “Points of View: Stuart, DeMott, Jacquette, Graves.” In From the Center, 109-112. New York: Plume, 1976. |
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| Stechow, Wolfgang. Catalogue of Drawings and Watercolors in the Allen Memorial Art Museum, Oberlin College. Oberlin, OH: Oberlin College, 1976. | ||
| Alloway, Lawrence. Michelle Stuart, exhibition catalogue. Oneonta, NY: State University of New York, 1975. | ||
- SELECTED REVIEWS & ARTICLES |
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| 2010s | Dayal, Mira. “Leaves of Grass: Mira Dayal on Michelle Stuart’s books.” Artforum (February 2020), 43-44. | |
| Coleman, Laura. “Michelle Stuart Highlights Extinction at Marc Selwyn Fine Art.” review. Beverly Hills Courier (October 18, 2019), 7. | ||
| “Earth as a Map of Time by Michelle Stuart at Marc Selwyn Fine Art.” review. Artland (September 2019). | ||
| Indrisek, Scott. “How Do You Collect Land Art? The Market for Land Art Challenges Us to Think About Collecting Differently” Artsy (June 20, 2019). |
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| Obrist, Hans Ulrich. “Shedding of Ephemeral Gestures: Michelle Stuart in Conversation with Hans Ulrich Obrist” Mousse Magazine, issue 67 (Spring 2019), 258-275. | ||
| Bradley, Paige Katherine. “This ‘90s Exhibition About Feminism and Abstraction Started It All” Garage (September 4, 2018). |
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| Goldstein, Andrew. “‘There Were Women Working Then, Too’: How Dia Director Jessica Morgan Is Breaking Open the (Male) Canon of Postwar Art.” Interview with Jessica Morgan. Artnet (May 15, 2019). |
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| Hoban, Phoebe. “Without Walls” ARTnews (Summer 2017), 67-73. | ||
| Gottesman, Sarah. “10 Female Land Artists You Should Know” (July 18, 2017). | ||
| Volk, Gregory. “The Artist’s Sake: Christine Macel’s Venice Biennale,” Art in America (May 15, 2017). | ||
| Woodward, Daisy. “Michelle Stuart’s Magical Land Art,” AnOther (October 13, 2016). | ||
| Porter, Lorie. “Natural Selection: A Cornucopia of Local Artists Who Amaze and Inspire Us,” Santa Barbara Magazine (Fall 2016). 109-110. |
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| Davis, Ben. “Fame-Obsessed ‘Forty’ at MoMA PS1 Shows an Alternative Art Scene That No Longer Exists,” (August 22, 2016). |
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| Wei, Lilly. “Atlas of Memory: Michelle Stuart and Jill Baroff at the Bronx Museum of the Arts, New York,” ARTnews (May 24, 2016). |
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| Rexer, Lyle, “Interview: Michelle Stuart.” Photograph (May/June 2016). 42-43. | ||
| Sheets, Hilarie M. “The Resurgence of Women-Only Art Shows.” The New York Times (March 29, 2016). | ||
| Zielinski, Sara. “Interview with Michelle Stuart.” March 22, 2016. | ||
| Kurchanova, Natasha. “Michelle Stuart: Theatre of Memory—Photographic Works.” Studio International (March 17, 2016). |
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| “The Revolution in the Making,” conversation with Abigail DeVille. V Magazine 100 (Spring 2016). | ||
| Weiss, Haley. “Michelle Stuart’s Mythologies,” Interview Magazine (February 5, 2016). | ||
| Ollman, Leah. "Review: Stuart Connects with the Earth Beneath Her Feet," Los Angeles Times (August 6, 2015). | ||
| Simek, Peter. “Inside Dallas’ Private Art Museums,” D Magazine (August 2015). | ||
| Hoban, Phoebe. “Works in Progress.” T: The New York Times Style Magazine (May 15, 2015). | ||
| Townsend, Christopher. “Review: Michelle Stuart: Trace Memory–Selected Works 1969-2015.” Art Monthly No. 386 (May 2015). |
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| Yablonsky, Linda. “Young at Art.” W Magazine. (May 11, 2015). | ||
| Wei, Lilly. “Review: Michelle Stuart.” ARTnews (March 2015). | ||
| Knight, Christopher. “Review: ‘Apparitions’ at the Hammer Explores Low-Tech Art in a High-Tech World.” Los Angels Times (February 13, 2015). |
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| Beckenstein, Joyce. “Navigating the Stars: Michelle Stuart.” artcritical (December 15, 2014). | ||
| “Silent Movies.” The New Yorker. (December 15, 2014). | ||
| Duncan, Michael. “Exhibition Reviews: Michelle Stuart, Santa Barbara Museum of Art.” Art in America (June/July 2014): p. 168-69. |
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| Joyce, Julie. “Land Art Pioneers: Michelle Stuart.” Art Ltd (May/June 2014): pp. 44-45. | ||
| Knight, Christopher, “Review: Santa Barbara Museum of Art Makes Room for Stuart and Aycock.” Los Angeles Times (Thursday, March 6, 2014). http://www.latimes.com/entertainment/arts/culture/la-et-cm-stuart-aycock-review-20140306,0,240248.story |
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| Donelan, Charles. “Drawing Shows by Alice Aycock and Michelle Stuart.” Santa Barbara Independent (Thursday, February 6, 2014). http://www.independent.com/news/2014/feb/06/drawing-shows-alice-aycock-and-michelle-stuart/ |
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| Lampe, Lilly. “New Jersey as Non-Site.” Artforum, Critics’ Picks (December, 12, 2013). http://artforum.com/index.php?pn=picks&id=44327&view=print | ||
| Caruso, Martina. “Michelle Stuart: Drawn from Nature at the Parrish Art Museum.” The Bottom Line, The Drawing Center (September 23, 2013). http://thebottomline.drawingcenter.org/2013/09/23/michelle-stuart-drawn-from-nature-at-the-parrish-art-museum/ | ||
| Landes, Jennifer. “Answering Her Own Questions.” The East Hampton Star (Thursday, September 5, 2013) | ||
| Beckenstein, Joyce. “Michelle Stuart: Charting Time and Place.” Sculpture 32.7 (September 2013): pp. 50-55. | ||
| McCoy, Ann. “In Conversation: Michelle Stuart.” The Brooklyn Rail (September 2013). http://www.brooklynrail.org/2013/09/art/michelle-stuart-with-ann-mccoy | ||
| Kino, Carol. “A Cosmos of Matter, Enshrined in Her Art.” The New York Times (Friday, August 30, 2013; Weekend Arts, p. C18) | ||
| ArtDaily.org. “Exhibition at Parrish Art Museum Spans Michelle Stuart’s Career from the 1960s to Today.” (July 30, 2013) http://www.artdaily.org/index.asp?int_sec=11&int_new=63907#.UidouGR8Icc | ||
| Gaebe, Carly. “Earth Tones: An Interview with Michelle Stuart.” Art in America (July 26, 2013). http://www.artinamericamagazine.com/news-features/news/earth-tones-an-interview-with-michelle-stuart/ | ||
| Ciano, James. “Meet a NYFA Artist: Michelle Stuart.” NYFA (July 23, 2013). http://www.nyfa.org/nyfa_current_detail.asp?id=17&fid=1&curid=943 | ||
| “Acquisitions of the Princeton University Art Museum 2012.” Record (Volume 71-72/2012-13). Princeton, NJ: Princeton University Art Museum. | ||
| Burmeister, Don. “The Artist as Curator.” The New York Photo Review 3.34 (October 24-30, 2012). | ||
| Aletti, Vince. “Michelle Stuart.” The New Yorker (October 8, 2012). | ||
| Frank, Peter. “Haiku Review.” The Huffington Post (October 2, 2012). | ||
| Connor, Michael. “Critics’ Picks.” Artforum (October, 2012). | ||
| Clarke, Bill. “Michelle Stuart.” Magenta (Fall/Winter 2012). | ||
| Rice, Robin. “Review: Michelle Stuart: Sculptural Objects, Journeys In & Out of the Studio.” Woman’s Art Journal (Spring/Summer 2012). | ||
| Graves, Jen. “Feminism, Rocks: Strange Happenings at a Long-Lost Earthwork in Oregon.” The Stranger (June 28, 2011). | ||
| Princenthal, Nancy. “Michelle Stuart” Art in America (May 5th, 2011), www.artinamericamagazine.com/reviews/michelle-stuart/ | ||
| Wei, Lilly. “Review: Michelle Stuart.” ARTnews, 114 (March 2011). | ||
| Filippone, Christine. “Cosmology and Transformation in the Work of Michelle Stuart.” Woman's Art Journal, (Spring/Summer 2011). | ||
| Cotter, Holland. “Michelle Stuart: Works from the 1960s to the Present.” The New York Times, February 25, 2011, C26. | ||
| Landes, Jennifer. “Reticence and Mystery” EastHamptonStar.com (February 22,2011), www.easthamptonstar.com/dnn/Home20110210/Arts/ReticenceandMystery/tabid/14219/Default.aspx | ||
| Lippard, Lucy R. “Touchstones.” In Sculptural Objects: Journeys in & Out of the Studio, 9-13. Milan: Edizione Charta, 2010. | ||
| Stein, Linda. “Retrospective of Michelle Stuart” OntheIssuesMagazine.com 2010/Spring, www.ontheissuesmagazine.com/2010spring/2010spring_art.php | ||
| 2000's | Sorkin, Jenni. “Decoys, Complexes, Triggers: The Sculpture Center.” Frieze Magazine 118 (10 November 2008). | |
| Boettger, Suzann. “Excavating Land Art by Women in the 1970s: Discoveries and Overtures.” Sculpture Magazine vol. 27, no. 9 (November 2008). | ||
| Landes, Jennifer. “Opinion: Then & Now.” East Hampton Star, December 13, 2007. | ||
| Villareal, Ignacio. “Disegno: The 180th Annual Exhibition, National Academy Museum.” Artdaily.org (June 1, 2005) |
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| Ruyak, Jacqueline. “Dieu Donne Paper Art Exhibition Traveling.” Fiberarts 29.3 (November/December 2002): image. | ||
| Harrison, Helen A. “Art Reviews: Michelle Stuart, Silent Fields.” The New York Times, September 15, 2002, Long Island Weekly, 9. | ||
| Stein, Donna. Rags to Riches: 25 years of Paper from Dieu Donne Papermill. Ed. Mina Takahashi. New York: Dieu Donne Papermill, 2001. | ||
| Ruzicka, Joseph. “Essential Light: The Skies of Michelle Stuart.” Art in America (June 2000): 86-89. | ||
| Smith-Llera, Danielle. “Michelle Stuart: and the Art of Synthesis.” Unpublished MFA research paper, Old Dominion University Norfolk, VA, 2000. | ||
| 1990's | Molesworth, Helen. “Afterimage: Drawing Through Process.” Frieze 49 (November-December 1999). | |
| Wasserman, Krystyna. “Book as Art XI: Inside the Artist’s Book.” Women in the Arts (Fall 1999), National Museum of Women in the Arts, Washington, DC. Also as a catalogue, Book As Art XI. | ||
| Gomez, Edward M. “Improvized Images in Molten Wax, as Fluid as Jazz: Waxing Poetic at the Montclair Museum.” The New York Times, May 16, 1999. | ||
| Slivka, Rose C.S. “From the Studio.” The East Hampton Star, April 22, 1999. | ||
| Pagel, David. “Art Review: ‘Afterimage’ Reviews Artists Making Rational Art on Paper.” Los Angeles Times, April, 21 1999. | ||
| Gregg, Gail. “Natural Selection.” ARTnews (March 1999): 98-99. | ||
| Stavitsky, Gail. Waxing Poetic: Encaustic Art in America. Camden, NJ: Rutgers University Press, 1999. | ||
| Zimmer, William. “Landscape: The Site, the Meaning of Place.” The New York Times 9 August 1998. | ||
| Bell, Clare. “Tulip Times.” On Paper vol. 2 no. 6 (July-August 1998): 10-14. | ||
| Braff, Phyllis. “Michelle Stuart: Blending Media and Memory in Punchy and Original Ways.” The New York Times, 14 June 1998, Arts section, national Sunday edition. | ||
| Sansegundo, Sheridan. “Michelle Stuart: Artist of Time and the Elements.” The East Hampton Star, June 4, 1998: The Arts, III-1 , III-5. | ||
| Patterson, Tom. “Visual Art, Natural Wonder.” Winston-Salem Journal 31 May 1998: E4. | ||
| Klein, Michael. “Michelle Stuart, John Weber Gallery.” Sculpture Magazine 17.2 (February 1998): 66-67. | ||
| Harris, Susan. “Review of Exhibitions, Michelle Stuart at John Weber.” Art in America 86.1 (January 1998): 93-94. | ||
| Walcott, Ellison Austen. “Exhibitions: Michelle Stuart, Natural Histories.” NY 1 November 1997: 38. | ||
| Cohen, Mark Daniel. “Michelle Stuart: Natural Histories.” Review, 1 November 1997: 36, 38. | ||
| Johnson, Ken. “Art in Review: Michelle Stuart.” The New York Times 31 October 1997: E35. Also, condensed in The New York Times, November 1997. | ||
| Griffin, Tim. “Reviews: Land Marks.” TONY 9 October 1997: 50. | ||
| Braff, Phyllis. “Masters XI: Fine Arts Gallery, LIU.” The New York Times, September 7, 1997, Long Island Weekly Section. | ||
| Harrison, Helen A. “Art: Sculptures That Blend With Environment, Footfalls.” The New York Times, August 3, 1997, Long Island Weekly. | ||
| Tobin, Richard. “Michelle Stuart: Natural Histories.” THE Magazine, Santa Fe October 1996: 53. | ||
| --------. “More than Minimal: Feminism and Abstraction in the ‘70’s.” ARTnews (September 1996): Reviews/National section. | ||
| Perrott, Jeff. “More Than Minimal: Feminism and Abstraction in the Seventies, MORE IS MORE.” artsMEDIA June 1996. | ||
| Stapen, Nancy. “Feminism Meets Minimalism: Art Review ‘More Than Minimal,’ Rose Art Museum.” The Boston Globe, April 30, 1996: Living/Arts section. | ||
| Lovelace, Carey. “Vagabonds in Fiji and Breakfast in Derry.” ARTnews (November 1994): 144-145. | ||
| Princenthal, Nancy. “Review of Exhibitions: Michelle Stuart at Fawbush.” Art in America 7 (July 1994): 85. | ||
| Hess, Elizabeth. “Art: Wax Poetic, Michelle Stuart.” The Village Voice, April 5, 1994. | ||
| Stoops, Susan L. “Michelle Stuart: A Personal Archeology.” Woman's Art Journal 14.2 (Fall1993/Winter 1994): 17-21. | ||
| Reid, Deta. “Travels Through Time: The Visual Poetry of Michelle Stuart,” a thesis for Masters for Art, Dartmouth College, Hanover, New Hampshire, May 1993. | ||
| Phillips, Patricia C. “Michelle Stuart.” Artforum 31.6 (February 1993): 99. | ||
| Cotter, Holland. “Art in Review.” The New York Times 6 November 1992. | ||
| Larson, Kay “Summer Stock, Katonah Museum.” New York Magazine, September 2, 1991. | ||
| Kimmelman, Michael. “Reviews/ART: Katonah.” The New York Times, August 9, 1991. | ||
| Moorman, Margaret. “Disparate Delicacies Bloom In 'Transparent Thread.’” Newsday 5 October 1990: Art and Events section. | ||
| Scheer, Elaine. “The Map is Not the Territory.” National Council on Education for the Ceramic Arts Journal (1990-1991): 64. | ||
| 1980's | Lovelace, Carey. “Michelle Stuart's Silent Gardens.” Arts 63.1 (September 1988): 76-79. | |
| Forgey, Benjamin. “Michelle Stuart at Kornblatt.” Washington Post, April 23, 1988, Section D2. | ||
| Bonetti, David. “Second Nature: Michelle Stuart’s Art of the Earth.” Boston Phoenix, section 3, April 1988. | ||
| Stoops, Susan L. “Michelle Stuart, Silent Gardens: The American Landscape.” Rose Art Museum, Brandeis University, Waltham, MA. 20 March 1988. | ||
| Henry, Garrit. “Michelle Stuart: Navigating Coincidence.” Print Collector's Newsletter 18.6 (January/February 1988): front page illustration, 193-95. | ||
| Artner, Alan G. “Michelle Stuart Makes Earth Live in Her Work.” Chicago Tribune 14 January 1988: Sec. 5, Tempo 11C. | ||
| Selz, Peter. “Alternative Esthetics: Quests for Spiritual Quintessence.” Arts (October 1987): 46-49. | ||
| Riley, Jan. “Ars Longa Vita Brevis.” Dialogue: An Art Journal (July/August 1987). | ||
| Westfall, Stephen. “Melancholy Mapping.” Art in America 2 (February 1987): 104-108. | ||
| Clothier, Peter. “Reading the Earth.” Artweek 17.32 (November 1986): 5. | ||
| Phillips, Patricia C. “A Blossoming of Cells.” Artforum (October 1986): 116-117 (detail image on cover). | ||
| Lovelace, Carey. “Art: Michelle Stuart.” New Manhattan Review 14 May 1986: 26. | ||
| Larson, Kay. “Review.” New York Magazine 28 April 1986: 96. | ||
| Brenson, Michael. “Michelle Stuart.” The New York Times, April 18, 1986. | ||
| Kotik, Charlotta. “Paradise in the Grand Lobby.” The Brooklyn Museum Bulletin April 1986. | ||
| Artner, Alan G. “Michelle Stuart.” Chicago Tribune 21 March 1986: Sec 7, pg. 52. | ||
| Reed, Glen. “Michelle Stuart Patches Together An Art of Nature.” Sunday Camera, July 21, 1985. | ||
| Bois, Yve-Alain. “La Pensee Sauvage: Primitivism in 20th Century Art.” Art in America 4 (April 1985): 178. | ||
| Nesbitt, Perry. “The New Culture: Women Artists of the Seventies.” Dialogue (March 1985). | ||
| Brody, Jacqueline. “People and Places: Stuart, Galerie Ueda, Tokyo.” Print Collector’s Newsletter, July/August 1984, vol 14.3. | ||
| Brody, Jacqueline. “Reviews.” Print Collector’s Newsletter, September/October 1983, vol 15.4. | ||
| Addington, Fran. “Looking at Art: Photos Bring Artistic Influence into Focus.” Minneapolis Tribune 15 May 1983. | ||
| Wilson, William L. “Michelle Stuart and Jackie Ferrara.” Los Angeles Times 22 April 1983. | ||
| Brody, Jacqueline. “Michelle Stuart: Islas Encantadas Series.” Print Collector’s Newsletter, July/August 1982, vol 20.3. | ||
| Kingsley, April. “Public Acres of Art: Artpark and the Leisure Landscape.” Art Express 2.3 (May/June 1982). | ||
| Lubell, Ellen. “Michelle Stuart at Susan Caldwell.” Art in America (May 1982): 142-145. | ||
| Lipsey, Roger. “Michelle Stuart: A Decade of Work.” Arts 56.8 (April 1982): 110-111. | ||
| Silverthorne, Jeanne. “Reviews, P.S. I.” Artforum 20 (March 1982). | ||
| Wolff, Theodore F. “The Many Masks of Contemporary Art.” Christian Science Monitor 19 January 1982. | ||
| Rickey, Carrie. “Curatorial Conceptions: The Hirshhorn—Dangerous Curves Ahead.” Artforum (April 1981). | ||
| Withers, Josephine. “Modernism Atomized at the Hirshhorn.” New Art Examiner (April 1981): 11. | ||
| Ostrow, Joanne. “16 Artists share a show at the Hirshhorn.” The Washington Post 13 February 1981. | ||
| Castle, Ted. “Verbal Art Speaks Up.” Flash Art, no. 100, November 1980. | ||
| Gallasi, Susan Grace. “Color and Surface.” Arts (March 1980). | ||
| 1970's | Robins, Corinne. “The Paper Surfaces of Michelle Stuart.” Art International (December 1979): 62-66. | |
| Januszczak, Waldemar. “Michelle Stuart.” The Guardian, ICA, London, UK. 25 September 1979. | ||
| Henry, Garrit. “Paper in Transition.” Print Collector's Newsletter (July/August 1979): 83-86. | ||
| Sutinen, Paul. “Sunlight and Stones: Celebrating the Summer Solstice with an Artwork Timepiece.” Willamette Week Portland, OR 30 July 1979: 7, 10. | ||
| Fagan, Beth. “Artist Marks Summer Solstice in Stone.” The Oregonian, July 6, 1979. | ||
| Timberlane, Polly. “Sun Alignment at Rowena Plateau Marks Solstice.” Kaleidoscope 28 June 1979. | ||
| Lifson, Ben. “A Few Rites and a Little Spring.” The Village Voice, May 7, 1979. | ||
| Kingsley, April. “Planes…in…Space.” The Village Voice 16 April 1979: 14. | ||
| Larson, Kay. “Beyond the Canvas…Artists Books and Notations.” ARTnews (January 1979). | ||
| Artner, Alan G. “Art.” The Nation, December 9, 1978: 653. | ||
| --------. “Interrupted Thoughts.” Soho Weekly News 30 November 1978. | ||
| Rapp, Jacqueline. “Michelle Stuart.” New Art Examiner November 1978. | ||
| Schulze, Franz. “Art.” Chicago Sun-Times, October 15, 1978. | ||
| Robins, Corinne. “Michelle Stuart: Die Kartographierung von Mythos und Zeit.” Flash Art (May/June 1978). | ||
| Brody, Jacqueline. “Multiples and Objects.” Print Collector’s Newsletter, March/April 1978, vol 9.1. | ||
| Brody, Jacqueline. “Prints and Photographs Published.” Print Collector’s Newsletter, January/February 1978, vol 8.6. | ||
| Frank, Peter. “Out of Character and Down for the Count.” Village Voice, January 23, 1978. | ||
| Lubell, Ellen. “Mid- Winter Melange: Three Artists' Books.” Soho Weekly News 12 January 1978 | ||
| Boorsch, Suzanne. “New Editions.” ARTnews (January 1978). | ||
| Kingsley, April. “Six Women at Work in the Landscape.” Arts 52.8 (1978): 108-112. | ||
| Arnaudet, Didier. “Michelle Stuart,” exhibition brochure. CACP Aquitaine 362, France (1978). | ||
| Krauss, Rosalind. “Notes on the Index: Seventies Art in America, part 2.” October (August 1977): 58-67. | ||
| Lippard, Lucy. “A New Landscape Art.” MS Magazine (April 1977). | ||
| Brody, Jacqueline. “Artist’s Books: Michelle Stuart, The Fall.” Print Collector’s Newsletter, March/April 1977, vol 8.1. | ||
| --------. “Art Outdoors: In and Out of the Public Domain.” Studio International 193.2 (March/April 1977). | ||
| Francblin, Catherine. “Michelle Stuart Traverses d’Espace.” Art Press International #35 (March 1977). | ||
| Hobbs, Robert. “Michelle Stuart: Atavism, Geomythology and Zen.” Womanart 1.4 (Spring/Summer 1977): 6-11. | ||
| Day, Holliday T. “Review.” New Art Examiner (January 1977). | ||
| Artner, Alan G. “The Fall: A Book Review.” Art-Rite 14 (Winter 1977): 41. | ||
| Cotter, Holland. “Art Reviews.” New York Arts Journal 1.3 -1.4 (December to March 1977). | ||
| Frank, Peter. “Review.” Womanart (Winter/Spring 1977): 44-45. | ||
| --------. “Quite Contrary: Body, Nature, and Ritual in Women's Art.” Chrysalis #2 (1977). | ||
| --------. “Michelle Stuart: The Mapping of Myth and Time.” Arts (December 1976). | ||
| Bourdon, David. “Three Women Manipulate Geometry, Earth and Old Masters.” The Village Voice, 14 November 1976. | ||
| Robins, Corinne. “Michelle Stuart.” Arts (October 1976). | ||
| Bell, Jane. “Drawing Now: Ten Artists.” Artnews (September 1976). | ||
| Betz, Margaret. “Reviews.” ARTnews, September 1976. | ||
| Cavaliere, Barbara. “Drawing Now.” Womanart, Fall no. 2, 1976. | ||
| Heinemann, Susan. “Reviews.” Artforum 13.10 (Summer 1975). | ||
| Lubell, Ellen. “Art Reviews.” Arts 49.9 (May 1975). | ||
| Post, Henry. “Rock Pounding: Guggenheim-CAPS winner Michelle Stuart.” Soho Weekly News 1 May 1975: 17. | ||
| Perreault, John. “Review.” Soho Weekly News 17 April 1975. | ||
| Kingsley, April. “Review of Exhibitions.” Art in America 62.3 (May/June 1974). | ||
| Derfner, Phyllis. “The New York Letter.” Art International (April 1974): vol. 1.3-1.4, | ||
| deAk, Edit. “Michelle Stuart.” Art-Rite No. 5 (Spring 1974): 13-14. | ||
| Frank, Peter. “On Art.” Soho Weekly News, February 28, 1974, 12. | ||
| Alloway, Lawrence. “Michelle Stuart: A Fabric of Significations.” Artforum 10.5 (January 1974): 63-66. | ||
| Frank, Peter. “Reviews and Previews.” ARTnews (September 1973): 82-83. | ||
| --------. “The New York Letter.” Art International 17.8 (1973). | ||
| Kingsley, April. “Reviews.”Artforum 11.7 (1973). | ||
| Kingsley, April. “The New York Letter.” Art International 17.6 (1973). | ||
| Schjeldahl, Peter. “Review.” The New York Times, August 20, 1972. | ||
| Schwartz, Emanuel K. and Rita Shacknve Schwartz. “NO-Art: An American Psycho-Social Phenomenon.” Leonardo (Summer 1971): 245-54. | ||
- SELECTED INTERVIEWS |
|
| Obrist, Hans Ulrich. “Michelle Stuart x Hans Ulrich Obrist.” Galerie Lelong & Co.: Viewpoints (May 10, 2019). | |
| Dessent, Blair. “Michelle Stuart: Time Traveller.” TL Magazine 30 (Autumn/Winter 2018-19): 64-68. | |
| Schwartz, Gabrielle. “Stones, scrolls and the mysteries of the universe—an interview with Michelle Stuart.” Apollo, July 10, 2018. |
|
| Stoops, Susan L. “Michelle Stuart: Video Interview.” March 1988. | |
| Beal, Graham W. J. “Interview.” Profile 1983. | |
| --------. “On Art and Artists: Michelle Stuart.” Profile Series, Video Data Bank School of the Art Institute, Chicago, 1983. | |
| Horsfield, Kate. “On Art and Artists: Michelle Stuart.” Profile 1983. | |
| Interviews With Women in the Arts. New York: School of Visual Arts, 1976. | |
| Kurtz, Bruce. “Paul Tschinkel's Artifacts.” Cable Channel J NY, 1976. |
- DOCUMENTARY |
|
| Braderman, Joan. The Heretics. Joan Braderman, writer and director. Crescent Diamond, producer. No More Nice Girls Productions, 2009. Documentary about women in Heresies. |
- SELECTED BOOKS & TEXT BY MICHELLE STUART |
|
| MICHELLE STUART Sculptural Objects: Journeys In & Out of the Studio. Milan: Edizione Charta, 2011. | |
| Encaustic Works: Nuance. Curated by Michelle Stuart, foreword by Laura Moriarty. Kingston, NY: R&F Handmade Paints, Inc. | |
| MICHELLE STUART: DRAWN FROM NATURE, text by Anna Lovatt, Jane McFadden, Nancy Princenthal. Interview by Julie Joyce. Hatje Cantz, 2013. | |
| Butterflies & Moths. New York: Dadadog Press, 2006. | |
| Rumi, Jalaluddin Mohammad. Divan E Shams. Zahra Partovi, trans. New York: Vincent Fitzgerald & Company, 1996. Illustration | |
| “Project from Derelict Tracts: An Observatory.” Bomb Magazine 33 (Fall 1990): 82-83. | |
| Ashes in Arcadia. Rose Art Museum, Brandeis University, Waltham, MA 1988. | |
| Sacred Precincts: From Dreamtime to the South China Sea…with the Addition of the Nantucket Excavation…The Mariners Temple and Burial Cache of the White Whale. Neuberger Museum, 1984 (folded, illustrated, text). | |
| “Books in Review: American Frontiers: The Photographs of Timothy H. O'Sullivan, 1867-1874.” Print Collector's Newsletter 13.3 (1982). | |
| ““Correspondences: Words as Images.” White Walls: A Magazine of Writings by Artists, issue #5 (Winter 1981): 96-99. | |
| I-80 Series: Michelle Stuart, exhibition catalogue. Omaha: Joslyn Art Museum, 1981. | |
| “Logbook for Disgrace.” Heresies No. 13, “Feminism & Ecology” issue 4.1 (1981). | |
| “Projects, Michelle Stuart.” Artforum 18.6 (February 1980): 70-73. | |
| Stone Alignments/Solstice Cairns, Prologue, volume 1, number 2, September 1979. Lobster Quadrille Press, Portland, OR. | |
| From the Silent Garden (introduction by Lucy Lippard). Williamstown, MA: Williams College, 1979. | |
| A Complete Folk History of the United States at the Edge of the Century. Dayton, OH: Wright State University; New York: Droll/Kolbert Gallery, 1978. (Images only) | |
| 16 Projects/4 Artists, Fine Arts Gallery, Wright State University Dayton, OH (Anderson, Oppenheim, Stuart, Wegman) Incidents of Travel: A Space Time Book (text & unedited video) 1977-78. Wright State University Art Galleries, Dayton, OH. | |
| The Fall. New York: Printed Matter, Inc., 1976. | |
| Interviews With Women in the Arts Part II. New York: Tower Press, School of Visual Art, 1976. Illustrations, pp 37-39 School of Visual Arts. | |
| In On or About the Premises by Paul Blackburn. London: Cape Goliard Press, 1968. Illustrated by Michelle Stuart. | |
| “NO is an Involvement.” Artforum (September 1963): 36-37. | |